2008-03-27

march 27 2008

march 23 10:35 am
LeBeau, Horse Cove, North Carolina

2008-03-20

march 20 2008

march 16 3:00pm
City Gallery East, Atlanta Ga.

2008-03-19

March 19 2008

March 10 2008 7:50 pm
studio window light with tungsten lamp

50mm f14 2 sec iso 100 WB 4000K

2008-03-15

march 15 2008

march 15 2008 2:30pm
Easter Clebration, Canton Georgia
35-70mm @ 48mm
1/80 sec, f/6.3, iso 400

These are some of the most unpredictable jobs I work. This one we spent most of the time in the bathrooms at the Forsyth County YMCA with a few guys from the Forsyth County Sheriffs Department K9 Corps. Intense. Belgian Shepherds. Intense. We were waiting for the tornadoes to blow by. Intense.

and the kids... either they are absolutely terrified of the Easter Bunny or completely enthralled. This beautiful child was obviously of the latter group. I love the mudra-like gesture she is making and the beatific serenity of her expression. You'd never know she's just spent over an hour in the YMCA bathroom with 80 other kids and a bunch of clowns with a limited number of tricks. Real clowns, if that's not an oxymoron.

march 14 2008

march 6 2008 12 noon
Oakview Blvd, Decatur

2008-03-13

march 12 2008

march 12 2008 4:15pm
spring bud, Hill Street, Decatur Ga.

2008-03-10

march 11 2008

march 5 2008 11:58am
Georgia State University Gallery
Imago by Ed Akins II with David Green

march 10 2008

march 3, 2008 8:52pm
under the corner of west peachtree at peachtree streets

2008-03-06

March 6 2008 (I've been busy)

march 4, 2008 1:50pm
El Portro Restaurant
Buford Highway

2008-02-29

february 29 2008

february 27 2008 4:00pm
global payments inc
35-70mm @ 44mm
1/20 sec, f/4 iso 200

As I was heading into their headquarters, I saw this neon logo in their lobby. Nice.
Upstairs in the board room, I balanced the window light on the wall signage with the Lumedyne, and made the safety shot:

35-70 Nikon AF-D @ 42mm (in 35mm film)
1/30 sec, f/4, WB Sunny
that's window light on the metal logo,
and my Lumedyne for the main

Global Pay CEO Paul Garcia was then willing to make the trip for another portrait in front of that neon logo in the lobby. I went ahead with his assistant, nailed down the white balance, gel'd a grid and made what would be the heavily cropped cover shot of a magazine you'll probably never see.
Total time on location was less than 75 minutes, and Paul's time in front of the camera was under 12.